Pop Culturalist Chats with Sarah Ann Masse
Sarah Ann Masse has forged her own path as a versatile actor, writer, and producer in New York City and Los Angeles. But as an artist and survivor, she tells
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To See or Not to See: Puffs
Puffs, Or: Seven Increasingly Eventful Years at a Certain School of Magic & Magic is a wink-wink comedy of a certain famous story about a Wizard Who Shall Not Be
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To See or Not to See: Wild Women of Planet Wongo
On the far eastern stretch of Houston Street in Manhattan, the cozy back room of the Parkside Lounge plays host to the zany sci-fi musical comedy Wild Women of Planet
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To See or Not to See: Chewing Gum
Netflix’s prediction algorithm is one day going to take over the world, I just know it. A show called “Chewing Gum” kept popping up on my Netflix homepage, starting a
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To See or Not To See: Baby Cobra
Ali Wong’s new Netflix comedy special, “Baby Cobra,” debuted on Netflix May 5th. In a tight 41 minutes, she manages to cover a lot of ground: race, pregnancy, The Life-Changing
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To See or Not to See: Keanu
No, Keanu is not a movie with or about Keanu Reeves. I know, hard to believe. Instead, Keanu is an action-comedy starring Jordan Peele and Keegan-Michael Key as two cousins
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Woman Crush Wednesday: Ellie Kemper
One of our favorite series has returned for a new season: Netflix’s Unbreakable Kimmy Schmidt, the Tina Fey-created comedy about an optimistic, plucky young woman who moves to New York City
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Best Moments from Unbreakable Kimmy Schmidt Season 1
Ah, Unbreakable Kimmy Schmidt. Did I add the season 2 premiere (all episodes are up on Netflix as of April 15th) on my calendar and look forward to its arrival
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Don’t Play Hooky from Teachers
Last year, TV Land gave us Younger. This year, we can thank them for Teachers. Haven’t heard of it? It’s a new comedy from Chicago-based improv group The Katydids, based on their
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Why We Love Broad City
Comedy Central’s standout Broad City began its third season on Wednesday. This laugh-out-loud comedy succeeds because it doesn’t take itself too seriously and is always willing to smash our expectations about “female-centered television” in
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