Trenton Judson is a filmmaker who believes every creative risk is worth taking—if it comes from truth. With his genre-defying debut Bad B*tch, the writer-director-actor has delivered a fierce and fearless film that blends high-octane action with emotional depth. Centered on a relentless small-town businesswoman who goes head-to-head with a brutal local gang, Bad B*tch offers a thrilling story of justice, survival, and the cost of rebuilding a community from ruin. But beneath the bullets and bravado lies something deeper: a filmmaker determined to infuse every frame with soul. Pop

Few things capture the spirit of the festival circuit like discovering a filmmaker at the beginning of their rise—someone whose work is both personal and cinematic, raw yet precise. Do No Harm, the debut feature from Chris Hartwell, is exactly that: a searing, viscerally immersive drama opening this year’s Dances With Films. What elevates the film even further is the rare synergy between filmmaker and cast, led by a quietly devastating performance from Harry Shum Jr. Their collaboration is a testament to what independent cinema can achieve when vision and

The summer belongs to Sherry Cola (again), and rightfully so. As an actor, writer, comedian, and trailblazer, she’s built a career rooted in honesty, humor, and intention. With every project, she challenges expectations and creates space for stories that reflect the world as it truly is—messy, funny, heartfelt, and human. Whether she’s delivering a punchline or making a point, Sherry brings something entirely her own to the screen—and audiences are paying attention. In Bride Hard, Sherry joins Rebel Wilson in a high-octane action-comedy that blends bullets with bridal bouquets. Sam

Pop Culturalist is excited to be partnering with Warner Bros. Pictures to give away tickets to an NYC screening of F1. You and a guest will see the film before it’s released on June 27th. All the details are below. Good luck! About the Film Racing legend Sonny Hayes (Brad Pitt) is coaxed out of retirement to lead a struggling Formula 1 team—and mentor a young hotshot driver (Damson Idris)—while chasing one more chance at glory. The feature has been shot during actual Grand Prix weekends as the team competes

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