Pop Culturalist Chats with Lauren Zakrin
The 2008 reality show, Legally Blonde: The Musical — The Search for Elle Woods was Lauren Zakrin’s lucky break. She came in fourth place in the competition, but her path to Broadway
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Why You Need to Catch the Great Comet Before It’s Too Late
Natasha, Pierre and the Great Comet of 1812 has been Broadway’s most immersive, thrilling experience ever since it opened at the Imperial Theater in the fall of 2016. This 12-time
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Favorite Songs from Broadway Cast Recordings
One of the best ways to relive the great musical you just saw on Broadway is to get the cast album. And, for those not lucky enough to be able
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Pop Culturalist Chats with Alex Finke
Alex Finke is making a splash in one of the hottest tickets downtown: an immersive, crazy-brilliant new production of Stephen Sondheim’s Sweeney Todd. The show – which we love every time
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Pop Culturalist Chats with Nicholas Belton
Nicholas Belton is on double-duty in this season’s smash Natasha, Pierre and the Great Comet of 1812. Belton plays two characters: Prince Bolkonsky, an antique noble who casually hurls emotional
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Pop Culturalist Chats with Paloma Young
As the saying goes, “Clothes make the man.” Indeed, the clothes worn by an actor or actress onstage are a key part of bringing a character—and their story—to life. That’s
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The Great Comet Burns Bright
One of this Broadway season’s best shows is Natasha, Pierre & The Great Comet of 1812. So, it’s even more of a delight to read Steven Suskin and Dave Malloy’s
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Pop Culturalist Chats with Gelsey Bell
Gelsey Bell appears in one of the year’s hottest Broadway tickets: Natasha, Pierre & the Great Comet of 1812. This joyous and astonishing new musical tells a particularly scandalous slice of Leo
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Our Favorite Theater in 2016
These days when people think of theater, they think of Broadway’s smash hit Hamilton. However, there has been a lot of ambitious, stellar, and emotional theater that was performed in 2016.
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To See or Not to See: Natasha, Pierre & the Great Comet of 1812
When you step through the entrance to the Imperial Theater to see Natasha, Pierre & the Great Comet of 1812, you aren’t just entering a theater; you’re entering a new
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