Theater Review: Round Table
The legend of King Arthur has inspired a number of adaptations in every medium. And why wouldn’t it? It’s a tale of bravery, magic, loyalty, romance, and heartbreak. In Round
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Pop Culturalist Chats with Stephanie Gould
Stephanie Gould knew she wanted to be an actor since she was a child. Lucky for her—and the audiences who catch her performances—she’s been a part of many productions, from
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To See or Not to See: Mother Night
Mother Night, based on the novel by Kurt Vonnegut, is a study in character and morals; it may just be a story better suited to the written word than to
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To See or Not to See: Replay
Loss, forgiveness, and love are the centerpieces of the brilliantly-done one-woman play Replay. Written and performed by Nicola Wren and directed by George Chilcott, Replay‘s U.S. premiere is at the
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To See or Not to See: The Edge of Our Bodies
16 year-old Bernadette is many things: a child of a marriage on the rocks, a boarding school student, a wannabe writer, a wannabe actress, a dedicated girlfriend, and, sometimes, a
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To See or Not to See: Balls
According to Kevin Armento and Bryony Lavery’s new play Balls, so many of our miscommunications and conflicts arise from, well, balls. Using the literal balls of the now-legendary tennis match
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To See or Not to See: The Mad Ones
The Mad Ones is a show that has been in the works for a long time. There have been previous iterations (The Unauthorized Autobiography of Samantha Brown) and songs from
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