Theater Review: Playing Hot
Playing Hot‘s unique experience begins in a park in Manhattan where you receive a (Mardi Gras) bead necklace to wear. This is your unconventional-yet-perfect ticket to the show. Then a
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2019 Tony Awards: Reacting to the Nominations
Get ready, theater-goers: the 2019 Tony season has officially begun! The American Theatre Wing announced its nominations for the Tony Awards today. As always, it’s a mixed bag. Some nominations
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Theater Review: Beetlejuice
Everyone’s favorite dead demon is back. Beetlejuice is on Broadway! Tim Burton’s cult-favorite movie, Beetlejuice, is now a zany, over-the-top, and downright fun musical. As soon as Beetlejuice opens, Lydia
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Theater Review: Hadestown
The return of the new musical Hadestown to New York has been one of the most hotly anticipated theater events in quite some time, and it’s definitely a Broadway show
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Pop Culturalist Chats with Cristina Pitter
Cristina Pitter is an artistic force to be reckoned with. She has several projects that would be impressive on their own: she is the founder of The Ashe Collective, an
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Theater Review: 17 Border Crossings
There’s something to be said for theater productions that have bare stages with minimal props and are still successful at telling a full, engaging, and evocative story: it’s a little
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Exclusive Interview: Pop Culturalist Chats with the Cast of Death of a Salesman
Arthur Miller’s timeless classic, Death of a Salesman, is celebrating its 70th anniversary this year. With it widely considered one of the greatest plays of the 20th century, the Secret
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Theater Review: Oklahoma!
Daniel Fish’s production of Oklahoma! is not what the traditional Broadway-goer would ever expect from a revival of Rodgers & Hammerstein’s classic American musical. It is electrifying. This retelling is
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Exclusive Interview: Pop Culturalist Chats with Ramin Karimloo
Once you hear actor Ramin Karimloo sing, you won’t want him to stop. Luckily for all of us, he’s a busy performer (which means a whole lot of singing). A
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Theater Review: King Lear
It’s a mad, mad world at the Cort Theatre: a kingdom’s descent into disunity mirrors a king’s descent into madness in a new production of King Lear. Directed by Sam
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