To See or Not to See: Groundhog Day
The stage adaptation of Groundhog Day is delightful. Between the technical surprises that pepper the show and the absolutely wonderful performance of leading man Andy Karl, it’s a show you
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Pop Culturalist Chats with Paloma Young
As the saying goes, “Clothes make the man.” Indeed, the clothes worn by an actor or actress onstage are a key part of bringing a character—and their story—to life. That’s
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Pop Culturalist Chats with Derek Klena
For a certain age group, Anastasia is a beloved animated film whose romantic lead elicits swoons and the plucky heroine is admired. So when it was announced that Anastasia would
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Pop Culturalist Chats with Joe Carroll
Bandstand, Broadway’s first 6 Certified production about the veteran experience, has been a labor of love over the past few years for everyone involved. For the actors cast as members of
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To See or Not to See: Nivelli’s War
Nivelli’s War, inspired by the true story of “The Magician of the Holocaust” is an enchanting tale that transcends generations. While the play is intended for younger children, the production
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Pop Culturalist Chats with Chris McCarrell
Chris McCarrell won the hearts of many when he made his Broadway debut in the re-imagined revival of Les Misérables. Originally cast as Joly, Chris would eventually take over the
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Anastasia Journeys to Broadway
The story of the long-lost Grand Duchess Anastasia Romanov has tickled minds for decades. Indeed, the bloody Russian Revolution, the elimination of Tsar Nicholas and his entire family, and the
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To See or Not to See: Bandstand
Bandstand is a terrific throwback to the big music, big dance numbers, and heartstring-tugging storylines of classic musicals. It’s 1945 in Cleveland, Ohio, and young men are coming home from World
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To See or Not to See: Charlie and the Chocolate Factory
“Who can take tomorrow Dip it in a dream Separate the sorrow And collect up all the cream The candyman can” Roald Dahl’s classic book, Charlie and the Chocolate Factory,
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To See or Not to See: Nell Gwynn
Gentle theatre-goers, lend me your ears (well, eyes) and heed my words true: get thee to a playhouse and catch the delightful, charming, and grin-inducing Nell Gwynn. First produced at the
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