Exclusive Interview: Jeff Hiller on ‘The Exhibitionist,’ Artistic Sacrifice, and Defining Success

17 hours ago
Kevin

Jeff Hiller knows firsthand how much artists sacrifice to pursue a creative life and how easy it can be to…

Exclusive Interview: Filmmakers Eric Foss and Brandon Pickering on ‘Sell Your House,’ the Cost of Indie Filmmaking, and How Distribution Works

4 days ago

James Claeys sold his house to help his best friend, Francis Galluppi, make The Last Stop in Yuma County. Yes,…

‘The Mob’ Exit Interview: Willam Belli on Serving Looks, Competing Like a Powerhouse, and Going Out with Honor

5 days ago

The Don took out a queen, but Willam Belli went out exactly as expected: serving looks, speaking the truth, and…

‘The Mob’ Exit Interview: Aida Turturro on Bringing Aida, Not Janice Soprano, to the Game

5 days ago

For audiences who know Aida Turturro as the formidable Janice Soprano, The Mob appeared to be a game tailor-made for…

‘The Mob’ Exit Interview: Joe Gorga on Why He Stirred Up Drama as the First Don and Knew His Days Were Numbered

6 days ago

Joe Gorga fully embraced becoming the Don on The Mob. Charismatic, fearless, and always ready to stir up a little…

‘The Mob’ Exit Interview: Bella Palk on the Baddies, Being the ‘Baby of the Family,’ and Why She Wanted to Be Underestimated

6 days ago

Bella Palk was made for reality TV. Just ask her high school classmates, who voted her most likely to end…

Exit Interview: The Traitors: New Blood’s Sherry Kuehl on Groupthink and “Banishment Brain”

6 days ago

Sherry Kuehl may have entered The Traitors: New Blood planning to keep a low profile, but she left the castle…

Exclusive Interview: Sunjay Midda on Faith, Representation, and the Transformative Experience of ‘Daniel and the Fiery Furnace’

6 days ago

Sunjay Midda’s portrayal of Shadrach in Daniel: The Fiery Furnace became a transformative exploration of faith and his craft. Through…

Exclusive Interview: Sarah D’Ambrosio on AI, Emotional Authenticity, and ‘Good Vibes Only’

7 days ago

There’s a disquieting familiarity to the future Sarah D’Ambrosio imagines in Good Vibes Only. In her directorial debut, the writer-director…

Exclusive Interview: Drew Van Acker on the Layers of Truth, Subtext, and Empathy in ‘Orion’

1 week ago

Drew Van Acker’s work in Orion reflects an artist increasingly deliberate about the stories he helps bring to the screen.…