Julian Feder is one of the fresh faces of Hollywood and at only thirteen he’s been touted as the next big thing. His performance as the title character in the breakout indie hit, A Boy Called Po, earned him three Young Artist Awards and showcased his ability to bring a complex character to life. Based on a true story, the film follows a gifted child with autism who tragically loses his mother. As he and his father, played by Christopher Gorham, struggled to deal with life after death, they begin
Mary-Charles Jones stars as Sara Gable in last year’s highest rated new comedy, Kevin Can Wait, which made its epic season two return this September. The show follows a retired police officer who looks forward to spending more time with his wife and kids. Mary-Charles’ character, Sara, is navigating the trials and tribulations of high school and has grown a lot since we’ve last seen her. Pop Culturalist sat down with Mary-Charles to chat about her character’s evolution, what it was like working with Kevin James and Leah Remini, and
Pop Culturalist is partnering with Electric Entertainment to give away tickets to a NYC screening of LBJ, which hits theaters on November 3rd. You’ll be one of the first to see the film before it opens nationwide. All the details are below! About the Film After powerful Senate Majority Leader Lyndon Johnson (Woody Harrelson) loses the 1960 Democratic presidential nomination to Senator John F. Kennedy (Jeffrey Donovan), he agrees to be his young rival’s running mate. But once they win the election, despite his extensive legislative experience and shrewd political
Once upon a time, Broadway music was popular music. Classic American songs that have since been dismissed as mere “show tunes” were once kings of the airwaves, entire cast albums were hot sellers, and musical theater composers were even household names. In the late 1960s and 1970s, as the sound of popular music shifted, electrified, and went its own way, Broadway music chugged along and continued to develop on its own terms. And so the great chasm between “pop music” and “stage music” was born. With the release of Richard Rodgers Reimagined,