It’s an incredible time to be a music fan. New artists are emerging week after week, and one musical duo that’s bringing the vibes is PRTTY BOYS. The pair, which features members Johnie B. and Spadez, have been hard at work in their “Juice Factory”, producing hits that will change the industry. This month, we heard a glimpse of what we can expect when they dropped not one, but two singles: “Cop Car” and “Lose Your Mind”. Pop Culturalist spoke with PRTTY BOYS about how the group was formed, their upcoming debut album, and when

I’m a sucker for revenge flicks; movies where a lone hero who has renounced his badass past must revisit it for revenge! John Wick and John Wick 2 being the two most recent and popular examples of such movies. But there is a franchise that came out along the same time that’s just as good or maybe even better: The Equalizer. Denzel Washington needs no introduction—a veteran on the silver screen, he has embodied all the roles he’s played in the last five decades. In The Equalizer, Denzel plays Robert

Producing partners, Lady Monika Bacardi and Andrea Iervolino, know how to find stories that strike an emotional chord with audiences. Their company, AMBI, has been responsible for producing films including: The Ides of March, Dark Places, Cruel Intentions, and Blue Night, which is making its debut at this year’s Tribeca Film Festival. Starring Sarah Jessica Parker in her first film role in over three years, Blue Night tells the story of a successful jazz-pop singer who receives devastating news ahead of her performance at the iconic Birdland Jazz Club. Pop Culturalist sat down with this dynamic

Gifted storyteller, brilliant thinker, accomplished actor: Alexandra Silber is a consummate artist with a luminous voice on stage and page. A veteran of Broadway and the West End, Silber has performed in productions ranging from Fiddler on the Roof, Master Class, and The Woman in White to My Fair Lady, Murder on the Orient Express, and Carousel. In other words, she boasts an impressive resume that has enabled her to get to know a host of dynamic, singular characters. But Silber hasn’t been contented with just acting out other people’s stories—she has chosen to write her own stories,

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