Filipino-Spanish-American artist Kyd the Band (aka Devin Guisande) has shown immense growth, maturity, and vulnerability since bursting onto the scene with Season 1: The Intro. He’s taken listeners on a journey through the triumphant and failures as he’s discovered his voice as an artist, culminating in the release of Season 4: Series Finale. Pop Culturalist was lucky enough to speak with Devin about tapping into his vulnerability, his new single “Somebody’s Song”, and what fans can expect from this final chapter. PC: You’ve mentioned in the past that you’ve had
Audible has dropped a new original podcast, and it’s one you definitely can’t miss. Featuring voice performances by Bowen Yang, Cynthia Nixon, Abbi Jacobson, Jane Lynch, Margaret Cho, Bianca Del Rio, Shannon Woodward, Stephanie Beatriz, Cheyenne Jackson, Peppermint, Brian McCook, and Tony Kushner, Hot White Heist is a comedic podcast that follows a ragtag bunch of queer people trying to carry out a heist inside of a sperm bank. Directed by Alan Cumming, Hot White Heist is the brainchild of acclaimed writer, Adam Goldman. Pop Culturalist was lucky enough to
We spoke with director Justin G. Dyck and writer Keith Cooper about their must-see new horror film, Anything for Jackson, how this partnership initially formed, and what they hope audiences take away after seeing the film. PC: The two of you have worked on several projects together in the past. How did this partnership originally form? Justin: It’s actually really funny. It was through a mutual friend. Keith and I both live in a small town about fifty miles north of Toronto. There isn’t a huge film community up here
Nick Moran has captivated British television and the West End stage for over a decade before making the transition to film with his leading role in Lock, Stock and Two Smoking Barrels. It was one of the most successful domestic movies in British cinema and established Nick as a household name. In 2018, he made his directorial debut with Telstar. The film was adapted from his revered West End stage play about iconic ’60s record producer Joe Meek. Not only was the project critically acclaimed, but it was also the