Tyson Apostol and Tom Sandoval may come from very different corners of the reality TV universe, but both arrive at House of Villains with skill sets that immediately command attention. Tyson’s legacy on Survivor and The Challenge speaks to his strategic pedigree, while Tom’s relationship-first instincts—built on Vanderpump Rules and tested on The Traitors—make him a uniquely social player in a game built on perception. Put them together, and it quickly becomes clear their early-season bromance might just be one of the house’s most effective alliances. Set inside a house
Rising multihyphenate Sammy Dell is quickly making his presence felt across the stage, screen, and studio. With I Can Only Imagine 2, Dell steps into the spotlight in a major way, bringing a striking vulnerability to the role of Sam Millard that immediately grounds the film’s emotional core. It’s a performance rooted in sincerity and emotional openness—and one that firmly places Sammy among the young artists to watch. Following the breakout success of the song “I Can Only Imagine,” MercyMe’s Bart Millard (John Michael Finley) is living the dream—sold-out arenas,
From its opening moments, A Body to Live In makes it clear this is not your typical documentary portrait. The film begins with a striking image of a young Fakir Musafar tightening a leather belt around his waist—an early act of experimentation that would evolve into a lifelong exploration of expression, resistance, and ritual. Through Angelo Madsen’s lens, Musafar emerges as a complex and deeply influential figure whose work within the “Modern Primitives” movement reshaped conversations around body modification, autonomy, and authenticity across queer BDSM and performance art communities. Built
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