Pop Culturalist Chats with Hannah Elless
Hannah Elless makes her return to Broadway in the sweet, tuneful Bright Star, an original musical by Steve Martin and Edie Brickell. (We loved it, by the way.) Set in the 1920s
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To See or Not to See: Bright Star
A new star is shining on the Great White Way: Bright Star opened last night at the Cort Theatre, and it lights up the current Broadway season with feeling. It is
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Bye, Bye Baby: Joseph Leo Bwarie Says Goodbye To Jersey Boys
It’s a sad day for my fellow Jersey Boys fans; the beloved Joseph Leo Bwarie is officially ending his eight year run as Frankie Valli. The actor announced that his last
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Woman Crush Wednesday: Laura Benanti
Laura Benanti is more than just a gorgeous face with killer pipes. A Tony-winner whose luminous voice is matched by her wit and warmth, she is indisputably one of Broadway’s
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To See or Not to See: Audra McDonald as Billie Holiday
HBO has given a gift to theater fans everywhere: it recorded Audra McDonald‘s legendary performance as Billie Holiday in Lady Day at Emerson’s Bar and Grill. The play debuted on Broadway
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To See or Not to See: Fiddler on the Roof
Fiddler on the Roof holds a special place in my heart. I can even measure my childhood in moments with this musical, whether dancing around the house with my sister and
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To See or Not to See: Eclipsed
“Eclipsed” just opened on Broadway after a sold-out run at the Public Theater. It’s a fascinating, horrifying look at how war affects women in the most brutal ways. Having said
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Pop Culturalist Chats with Jake Epstein
Jake Epstein is currently starring in the off-Broadway play, Straight. Jake is an actor and singer from Toronto. He’s been active on-and-off-Broadway, most notably as Gerry in Beautiful: The Carole
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To See or Not to See: Straight
Straight is a small play with big thoughts. Like a lot of recent plays on-and-off-Broadway, Straight features only a few actors and a lot of dialogue on various themes—all within a
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Hamilton: How Lin-Manuel Miranda is (Re)Making History
Hamilton doesn’t need much of an introduction; it’s Broadway’s must-see musical of the year…or decade. The show’s only flaw is that it’s almost impossible to get tickets to see it. The 2015
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