Theater Review: Harper Lee’s To Kill a Mockingbird
Harper Lee’s To Kill a Mockingbird has finally arrived on Broadway after a long and bumpy road; it was absolutely worth the wait. Written by Aaron Sorkin and directed by Bartlett
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To See or Not to See: Ian
Short films are an under-appreciated art form that have the ability to pack powerful messages within its condensed format. A perfect example of this is Ian, an endearing CGI animation
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Comic Book Review: The Alcoholic
It has been ten years since the contemporary classic The Alcoholic (written by Jonathan Ames; illustrated by Dean Haspiel) was released to critical acclaim in the world of the graphic novela.
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Theater Review: The Prom
If there’s ever a time when we need art and entertainment that will make you laugh, cry, and warm your heart, it’s now. The Prom fits the bill. Broadway vets Barry Glickman
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Music Review: Mariah Carey’s Caution
With her first studio album since 2014, Mariah Carey’s Caution has finally been unleashed and she did not disappoint. Featuring collaborations with artists like Ty Dolla Sign, Slick Rick, Blood Orange, and
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Book Review: A Very Large Expanse of Sea
Longlisted for the National Book Award for Young People’s Literature, A Very Large Expanse of Sea by Tahereh Mafi is an incredibly beautiful and relevant story about two teenagers falling
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To See or Not to See: The Ferryman
The Ferryman, an award-winning play from London’s West End, arrives on Broadway with a bang. Directed by Sam Mendes, this play by Jez Butterworth is everything a play should be:
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New Music: Lauren Jauregui’s ‘Expectations’
Lauren Jauregui has certainly exceeded everyone’s expectations. The 22-year-old and former member of Fifth Harmony released her highly anticipated single, “Expectations”, and it’s fair to say she has officially arrived!
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To See or Not to See: Mother Night
Mother Night, based on the novel by Kurt Vonnegut, is a study in character and morals; it may just be a story better suited to the written word than to
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To See or Not to See: Bernhardt/Hamlet
Janet McTeer is the not-so-secret weapon in Bernhardt/Hamlet, one of the most exciting and timely backstage plays to grace Broadway in recent years. McTeer stars as the inimitable Sarah Bernhardt in
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