To See or Not to See: Disco Pigs
The Irish Repertory Theatre and director John Haidar have brought Enda Walsh’s lively play, Disco Pigs, to life in a brilliant 20th anniversary production. In the same hospital in Cork, Ireland,
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To See or Not to See: Phantom Thread
Paul Thomas Anderson’s latest film, Phantom Thread, is a quiet probe into obsession and control presented to viewers in an extremely pretty package. In 1950s London, The House of Woodcock is
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Pop Culturalist Chats with David Park
David Park is making his New York stage debut in the fun-loving show Red Roses, Green Gold. We were able to chat with him about his start in musical theater
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To See or Not to See: The Shape of Water
In The Shape of Water, Elisa Esposito (Sally Hawkins) is a mute janitor at a top-secret research facility in the 1950s. Her life is simple. She lives above an old movie
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Pop Culturalist Chats with Lilli Cooper
When people think of a Broadway character that they admire, they most likely don’t think of a squirrel. But, thanks to the inventive Spongebob SquarePants everyone will be talking about
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Pop Culturalist Chats with Lauren Zakrin
The 2008 reality show, Legally Blonde: The Musical — The Search for Elle Woods was Lauren Zakrin’s lucky break. She came in fourth place in the competition, but her path to Broadway
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To See or Not to See: Balls
According to Kevin Armento and Bryony Lavery’s new play Balls, so many of our miscommunications and conflicts arise from, well, balls. Using the literal balls of the now-legendary tennis match
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To See or Not to See: Red Roses, Green Gold
When you step into the Minetta Lane Theatre, you’re greeted by the Palace Saloon and Mining Company in Cumberland, USA. A drum kit sits center stage, flanked by several other
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To See or Not to See: I, Tonya
Ice skater Tonya Harding’s life story, both pre-and-post-infamous knee smashing, is explored in the engaging film, I, Tonya. For those of you that are too young to remember Tonya Harding,
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To See or Not to See: Three Billboards Outside Ebbing, Missouri
Three Billboards Outside Ebbing, Missouri has the components of the type of “deep” movie that Hollywood loves to love, but, unfortunately, is missing the depth needed to make it truly
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